Pito de caña: It is a bevel aerophone. It was very used by shepherds, children and dulzaineros (double reed pipe players), which used it to rehearse at home due to their sound of low power. The forms and sizes are very variable, depending on the builder. They could have between 4 and 8 holes. It exist in the whole peninsula .

Pito de caja de puro: Another bevel aerophone. It is a variety of the previous one, but fact with a cigar box and a cork. It is copy of one picked up by the artisan Luis Angel Payno in Soria. Thise comes us to demonstrate the wealth of the Traditional Culture, and the adaptability of materials to build the instruments with what one has by hand.

Pito de cuerno de cabra: It is also a bevel aerophone. Similar to the previous ones, but made with a goat´s horn. The shepherds of this livestock built it. They have been several instruments in the county of Salamanca, although it is normal that they existed in other places where that shepherding was common. They aren´t tunned and the number of holes oscillates between 3 and 6 .

Pito maragato: Bevel Aerophone. It is a flute of three holes whose complete tonal scale is gotten overblowing it. It is played inseparably with the" tamboril" (a tabor), one in each hand. The model of the picture is a variety of the area of the Maragatería, in León, and it is made in a wooden piece. It is family of the "gaita charra" ,from Salamanca, the "chifla", from Zamora, the "gaita extremeña", the "flauta rociera" from Huelva, the Aragonese "chiflo" and even the Basque" txistu", although the tunings and forms are different. This family of instruments survive in the western area of the peninsula, as well as in the border area with Portugal, in Tras os Montes and the Alentejo. There are also ones in Ibiza .

Gaitas charra y extremeña: More three holes' flutes, being maybe the "gaita charra" the better known one after the Basque txistu. It comes from the area of Salamanca and it is played with the "tamboril", such and like we said before. It is usually made with oak for the body, bull horn for the rings or " encelgas", and bone for the bevel. Besides to be played in Salamanca, it is used in the north of Cáceres, displacing to the autochthonous models as that of the second picture, because there is more artisans in Salamanca than there. The first picture shows a "gaita charra" from Salamanca. The second picture shows a "gaita extremeña" from the north of Cáceres. The tamboril (tabor) is from the town Acetuna (Cáceres) and it was made by Martín Pérez. For the skin of the tamboril is usually used goat skin, like in this model. Those pipe and tabor reached a lot of popularity in all Castile and León, but in some places they were displaced by the"dulzaina" and the "redoblante".